It was a 30 minute pose. When I look at the painting the next day, it seems that the strokes are so few and the painting is so small, how could it have taken that long -- but when I am doing it I am going like a house afire and always irritated that the time is up. So much has to happen before the paint even goes down though....I have to figure out what part of her I want and then get the parts connected and then decide on and mix the paint and then get it down. Well, this is no big deal, it's the same for everybody, just that it has to happen fast, so it's amazing to have anything coherent at all. The fact that there isn't time to think is maybe the best and most valuable part of the exercise, because I am frequently surprised by what I did.